

He talked about her telling him (I think) of the responsibility of an artists, of people who have a gift, and of looking at the stars and telling him that the light was from long-dead places, and something about - all blowing the 12 year old Vini's mind. The third tune was preambled by Vini talking about his guitar teacher, Miriam (Mimi, presumably of the LC track), the only one of her family to survive the holocaust and a 'second mother' to Vini. It was wonderful to see that chemistry at work again. Vini did appear genuinely surprised when he noticed (that tune is on ). Second was a tune with the OHP vocalist Tryfon contributing vocals from poems written by a young women whose name I didn't catch (who was also present), with Bruce sneaking onto the stage after a little while.

It took a minute or so for them to synchronise, but it became a really nice version. He played three tunes - first Love & Maths with John Metcalfe.

They played two tunes, and then Vini took the stage again. Three-piece of drum, guitar and double-bass, with a striking vocal sound.

He then introduced giving them a build-up no-one could really deliver on, but they did seem to have something. He said something similar about John Metcalfe. He talked about first playing with Bruce, on Alan Erasmus's suggestion, and how the connection was immediate, how Bruce knows what Vini's doing before Vini does (the improvisation and 'I don't know what will happen' was a theme of the night). He talked about the making of Return Of, and how it was Martin Hannett's album - the first he knew of what it sounded like was when Tony and Lindsey Wilson gave him a white label signed by them. He spoke also of the frustration of having tunes in his head, and not being able to get them out as easily. He spoke of having to change the way he plays since the strokes - he can't finger-pick so has to just strum, and can't feel the frets like he could. Slightly shocking to see Vini obviously frail and having to be helped onto the stage, but although his speech is obviously still affected his humour and character are still there. Review by Bryan Burford The evening began with a brief intro from Dave Haslam, and then straight into an interview with Vini. The venue wss Wilbraham St Ninian's Church in Chorlton, Manchester.
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